Marcie R. Rendon

How did you become a writer? I have always written and decided in 1991 to try and make my living as a writer. Lights, heat and gas in the car have been my measure of success to date.

Name your writing influences (writers, books, teachers, etc.). I would have to say other crime writers as that is who I read voraciously – John Sanford, Lee Child, Henning Mankell and the like. Currently reading Ramona Emerson, S.A. Cosby, Eli Cranor and Daniel Kenitz, author of Perfect Home.

When and where do you write? At my kitchen table, any chance I get.

What are you working on now? I am writing a second stand alone crime novel as a follow-up to Where They Last Saw Her – and book 5 in the Cash Blackbear series.

Have you ever suffered from writer’s block? I think I am always working on too many projects to ever really have a block; I just move between projects.

What’s the best writing advice you’ve ever received? To just write, and then write some more.

What’s your advice to new writers? The next step after writing is to risk rejection and SUBMIT your work. 

Marcie R. Rendon is an enrolled member of the White Earth Nation, author, playwright, poet, and freelance writer. A community arts activist, Rendon supports other native creators to pursue their art, and is a speaker on Native issues, leadership, writing.

The award-winning author of the Cash Blackbear crime series with an extensive body of fiction and nonfiction works, Rendon’s latest release was the crime novel, Where They Last Saw Her.

The creative mind behind Raving Native Theater, Rendon curates community created performances such as Art Is… Creative Native Resilience, with three Anishinaabe performance artists, on TPT (Twin Cities Public Television), 2019. 

Rendon was listed in Oprah’s 2020 list of 31 Native American Author’s to read. She received the 2020 McKnight Distinguished Artist Award. She was recognized as a 50 over 50 Change-maker by MN AARP and POLLEN, 2018. Rendon and Diego Vazquez received a 2017 Loft Spoken Word Immersion Fellowship for their work with incarcerated women.

 Anishinaabe Songs for the New Millinneum-UofM Press - July24

Where They Last Saw Her-Penquin/Random Sept 3, 24

Stitches of Tradition-Heartdrum Oct 2024

Broken Fields-Soho-Cash4 - Spring2025

https://substack.com/@notyourmilkandcookiesgrannie71

#wwcd  #nochapters

Alina Rubin

How did you become a writer? A bit over three years ago, I was writing nothing but heart-wrenching IT compliance documents. Then, because of the pandemic, I had more time to watch TV, and I became obsessed with watching historical fiction mini-series. Ideas started coming to my head, especially at night. One morning, in February of 2021, I had this overwhelming urge to write. I went to the computer, and the story poured so fast, my fingers could barely keep up. An hour later, tears of joy ran down my face. I knew at that moment that I would become an author.

Name your writing influences (writers, books, teachers, etc.). In my childhood, I loved Jules Verne and Alexander Dumas. In school, I had wonderful English teachers, and I thank them in all my books. The best craft books I read were Save the Cat Writes a Novel by Jessica Brody, Dynamic Story Creation by Maxwell Alexander Drake, Zen in the Art of Writing by Ray Bradbury, and On Writing by Stephen King. 

When and where do you write? I write in my office and try to be at my desk at 5:30 a.m. with my coffee. I write till 7, which is the time I get my daughter to school. Hopefully I carve out more time for writing later in the day, but that morning session is very important to me.

What are you working on now? I’m plotting Book 4 of the Hearts and Sails series.

Have you ever suffered from writer’s block? No. I hope it’s not a real thing.

What’s the best writing advice you’ve ever received? Turn off your inner critic.

What’s your advice to new writers? You can’t do everything yourself. Find your tribe. Show your work to people you trust. 

Alina Rubin is an award-winning author who celebrates heroines with strong voices and able hands. Amidst the pandemic, she authored her debut novel while working in IT. Her characters took her on a journey beyond her wildest dreams. She’s an accomplished speaker and the owner of Hearts and Sails Author Services. Her novel, A Girl with a Knife, won the Illinois Soon to be Famous Author Competition. Her book series is set in Regency England, but her characters are more likely to suture wounds than dance at a ball. Alina obtained B.S. and M.S. degrees in Business and Information Technology from DePaul University. She lives near Chicago with her husband and daughter. She enjoys yoga, hiking, and traveling.

Ellen Baker

How did you become a writer? I always loved to write stories, from the time I was a little kid, and I loved to read, too. I feel like I always knew it was what I wanted to do. I studied some other things (psychology, history, American Studies) and worked in museums before transitioning to working at a bookstore and then finally getting a book contract and becoming a full-time writer.

Name your writing influences (writers, books, teachers, etc.). When I was fifteen, I read Joyce Carol Oates’s Because it Is Bitter and Because it Is My Heart and I Lock My Door Upon Myself, and though I’d thought before about wanting to write novels, the experience I had reading these two books cemented that I really wanted to try to make a career of it. I still draw inspiration from the feeling I had then, which was of being understood completely at the same time that I was being swept away into another world. Then, when I was seventeen, I had the opportunity to meet Minnesota writer Frederick Manfred, and he read some of my writing and told me I would be published by the time I was thirty. I was inspired to try to prove him right! Beyond that, I've always read widely and constantly, from classics to bestsellers and everything in between. I love family sagas, mysteries, memoirs and biographies, and historical, literary, and commercial fiction. I look carefully at everything I read and try to figure out why something works or why it doesn't. I feel like I learn something from everything I read. Also, working at an independent bookstore for a number of years, I was constantly interacting with passionate readers, and they helped me understand a lot about the experience they're looking for when they pick up a novel. I would say they were tremendously influential, as well.  

When and where do you write? I write first thing in the morning (sometimes this is 5 am, sometimes more like 8 am) until noonish. I write everywhere in my house, depending on my mood and the weather. Sofa, dining room table, desk in the upstairs office, kitchen counter, front porch. If I’m writing a first draft, I prefer to be reclined on the sofa. For editing, I’m more likely to sit up straight at a desk or table. If the weather’s nice, I love to be outside. 

What are you working on now? A family saga set on the coast of Maine which spans from the 1930s to 2010, with three generations of strong women at its heart. 

Have you ever suffered from writer’s block? There have definitely been times when the writing doesn't flow easily, and there have been weeks or even months in a row where I haven't written because life has made other demands. At those times, I do sometimes wonder if any more ideas will come. But when I sit down to write with a goal in mind, I have a pretty good system for keeping myself on track. 

What’s the best writing advice you’ve ever received? I think the most transformative feedback I got was in a workshop led by J. Robert Lennon in about 2004. He and the other students in the workshop all pointed out that I seemed not to want anything bad to happen to my characters, nor anything impolite to be said about them. It was surprising to me to realize that if I wanted to write interesting fiction, I was going to have to let go of my Minnesota-nice upbringing and start getting more honest -- and even maybe a little mean. :) 

What’s your advice to new writers? Everyone says “don’t give up” and “stay in your chair.” I agree with those pieces of advice! One thing I would also add is “find your true voice.” Write about things you truly care about, in a way that sounds right to you. Authentic storytelling is what will finally resonate with readers – not with all of them, but with the ones you’re meant to find, and who are meant to find you.

Ellen Baker is the author of the novel The Hidden Life of Cecily Larson, which was the HarperCollins Lead Read for Winter 2024, an Indie Next pick, a People Best New Book, and a Woman's World Best New Book. It was also named as one of winter's most anticipated books by Goodreads and placed on multiple Best-of lists by BookBub, including Best Historical Fiction of 2024. Authors including Lisa Wingate, Tara Conklin, Kim Michele Richardson, Thao Thai and Kristin Harmel praised it respectively as “colorful,” “gorgeous,” “electrifying,” “riveting” and “beautiful. Ellen’s earlier novels, Keeping the House and I Gave My Heart to Know This, both published by Random House, were called “masterful” (Booklist), “vivid” (Chicago Tribune), and “artful” (Philadelphia Inquirer). Keeping the House won the Great Lakes Book Award and was a Chicago Tribune Best Book of the Year, as well as an Insider Discovery of the Literary Guild, a featured selection of the Doubleday Book Club and Random House Reader’s Circle, a BookSense Notable Book, and a Midwest Connections Pick.

After living most of her early life in Minnesota and Wisconsin, Ellen currently resides on the coast of Maine. Her online course, Start Your Novel With Confidence, offering a proven framework for getting your novel started plus a year of group coaching to support you as you write it, is available through www.ellenbakercreative.com.